as rosy lips and cheeks come within his bending sickles compass, love does not change with hours and weeks: instead, it bears it out evn to the edge of doom. In the second quatrain, the speaker tells what love is through a parda pratha essay in english metaphor: a guiding star to lost ships (wandring barks) that is not susceptible to storms (it looks on tempests and is never shaken). Indeed, she may be any or all of these things, and Petruchio cares not so long as she is rich. This speech exemplifies Petruchios brash, robust manner of speaking. He is blatantly honest about his materialism and selfishness, and he also straightforwardly acknowledges the economic aspect of marriagesomething that everyone in the play is keenly aware of but which only Petruchio discusses so frankly and openly and with so little concern for romantic love). With a masterful control of rhythm and variation of tonethe heavy balance of Loves not times fool to open the third quatrain; the declamatory O no to begin the secondthe speaker makes an almost legalistic argument for the eternal passion of love, and the result.
Essentially, this sonnet presents the extreme ideal of romantic love: it never changes, it never fades, it outlasts death and admits no flaw. Or she may be as unpleasant as Socrates Xanthippe, a woman traditionally reputed to be a great shrew. (I.ii.6273 petruchio speaks these lines to Hortensio to explain his intention of finding a bride in Padua. He says that the woman may be as foul as was Florentius love, referring to a story in which the knight Florent was forced to marry an old woman who saved his life.
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The basic division of this poems argument into the various parts of the sonnet form is extremely simple: the first quatrain says what love is not (changeable the second quatrain says what it is (a fixed guiding star unshaken by tempests the third quatrain says. The definition of love that it provides is among the most often"d and anthologized in the poetic canon. As are the swelling Adriatic seas. It is an ever-fixed mark. The language of Sonnet 116 is not remarkable for its imagery or metaphoric range.
SparkNotes : Shakespeares Sonnets: Sonnet 116 SparkNotes : The Taming of the Shrew : Important Orwell: Politics and the, english Language - Resort