are damn'd beside.) Meanly they seek the Blessing to confine, And force that Sun but. The Critick else proceeds without Remorse, Seizes your Fame, and puts his Laws in force. Some judge of Authors' Names, not Works, and then Nor praise nor blame the Writings, but the Men. So when the faithful Pencil has design'd Some bright Idea of the Master's Mind, Where a new World leaps out at his command, And ready Nature waits upon his Hand; When main arguments about immigration in usa essays the ripe Colours soften and unite, And sweetly melt into just Shade and Light. The Rules, a Nation born to serve, obeys, And Boileau still in Right of Horace sways. And but so mimick ancient Wits at best, As Apes our Grandsires in their Doublets treat. A little Learning is a dang'rous Thing; Drink deep, or taste not the Pierian Spring: There shallow Draughts intoxicate the Brain, And drinking largely sobers us again. 'Tis not enough your Counsel still be true, Blunt Truths more Mischief than nice Falsehood do; Men must be taught as if you taught them not; And Things unknown propos'd as Things forgot: Without Good Breeding, Truth is disapprov'd; That only makes Superior Sense belov'd.
The work remains, however, one of the best-known commentaries on literary. Part 1 begins with Popes heavy indictment of false critics. In doing so, he suggests that critics often are partial to their own judgment, judgment deriving. An Essay on Criticism, didactic poem in heroic couplets by Alexander Pope, first published anonymously in 1711 when the author was 22 years old. Although inspired by Horaces Ars poetica, this work of literary criticism borrowed from the writers of the Augustan Age.
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Distrustful Sense with modest Caution speaks; It still looks home, and short Excursions makes; But ratling Nonsense in full Vollies breaks; And never shock'd, and never turn'd aside, Bursts out, resistless, with a thundering Tyde! While, at each Change, the Son of Lybian Jove Now burns with Glory, and then melts with Love; Now his fierce Eyes with sparkling Fury glow; Now Sighs steal out, and Tears begin to flow: Persians and Greeks like Turns of Nature found, And the. However, despite the title, the poem is not as much an original analysis as it is a compilation of Pope's various literary opinions. False Eloquence, like the Prismatic Glass, Its gawdy Colours spreads on ev'ry place; The Face of Nature was no more Survey, All glares alike, without Distinction gay: But true Expression, like th' unchanging Sun, Clears, and improves whate'er it shines upon, It gilds all Objects. In grave Quintilian's copious Work we find The justest Rules, and clearest Method join'd; Thus useful Arms in Magazines we place, All rang'd in Order, and dispos'd with Grace, But less to please the Eye, than arm the Hand, Still fit for Use, and ready. But if in Noble Minds some Dregs remain, Not yet purg'd off, of Spleen and sow'r Disdain, Discharge that Rage on more Provoking Crimes, Nor fear a Dearth in these Flagitious Times. Then Criticism the Muse's Handmaid prov'd, To dress her Charms, and make her more belov'd; But following Wits from that Intention stray'd; Who cou'd not win the Mistress, woo'd the Maid; Against the Poets their own Arms they turn'd, Sure to hate most the Men. Hear how learn'd Greece her useful Rules indites, When to repress, and when indulge our Flights: High on Parnassus' Top her Sons she show'd, And pointed out those arduous Paths they trod, Held from afar, aloft, th' Immortal Prize, And urg'd the rest by equal. Leave dang'rous Truths to unsuccessful Satyrs, And Flattery to fulsome Dedicators, Whom, when they Praise, the World believes no more, Than when they promise to give Scribling o'er. Horace s, ars poetica, this work of literary criticism borrowed from the writers of the. Then Sculpture and her Sister-Arts revive; Stones leap'd to Form, and Rocks began to live; With sweeter Notes each rising Temple rung; A Raphael painted, and a Vida sung!
In it Pope set out poetic. An Essay on Criticism was the first major poem written by the English writer Alexander Pope (1688-1744).
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